Sangeetham
Sangeetham (music), as the very name suggests, is sung by the side of the holy steps leading to the sanctum sanctorum of a shrine. It is sung, typically employing plain notes, to the accompaniment of the small, hourglass-shaped ethnic drum called 'edakka' or idakka, besides the chengila or the handy metallic gong to sound the beats. Sopanam is traditionally sung by men of the Maarar and Pothuval castes of the Ambalavasi (semi-Brahmin) community, engaged to do it as their hereditary profession. This area is fertile for many experienced and junior sangeetham artists. |
Violin
The violin, colloquially known as a fiddle,[a] is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino piccolo and the pochette, but these are virtually unused. Most violins have a hollow wooden body and commonly have four strings (sometimes five), usually tuned in perfect fifths with notes G3, D4, A4, and E5, and are most commonly played by drawing a bow across the strings. The violin can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). |
Tabla
The name tabla likely comes from tabl, the Arabic word for drum. The ultimate origin of the musical instrument is contested by scholars, though some trace its evolution to indigenous musical instruments of the Indian subcontinent. The tabla consists of two small drums of slightly different sizes and shapes. Each drum is made of hollowed-out wood, clay or metal. The smaller drum (dayan/tabla) is used for creating treble and tonal sounds, while the primary function of the larger drum (baya/dagga) is for producing bass. They are laced with hoops, thongs, and wooden dowels on their sides. The dowels and hoops are used to tighten the tension of the membranes for tuning the drums. |
Veenai
The veena, also spelled vina (Sanskrit: वीणा IAST: vīṇā), is any of various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers, and arched harps. The many regional designs have different names such as the Rudra veena, the Saraswati veena, the Vichitra veena, and others. The South Indian Saraswati veena, used in Carnatic classical music, is a lute. It is a long-necked, pear-shaped lute, but instead of the lower gourd of the North Indian design, it has a pear-shaped wooden piece. However, it, too, has 24 frets, four melody strings, and three drone strings, and is played similarly. It remains an important and popular string instrument in classical Carnatic music. |